TH Custom Effects Build Documentation · V1.1 · 2013

Condor Cab Sim

ROG 4×10 Cabinet Simulator with Marshall Mod — V1.1

A faithful PCB build of Run Off Groove's Condor — the JFET-driven 4×10 Jensen P10R cabinet simulator. The DPDT mod toggle reshapes the bridged-T notch and HF roll-off to approximate a 4×12 Marshall response. For silent practice, direct recording, or feeding a PA. All credit for the circuit goes to runoffgroove.com.

JFET front-end 2× TL072 Bridged-T notch DPDT cabinet voicing 9V DC 1590B enclosure
01

Overview & Features

The Condor is a passive-style speaker cabinet simulator from Run Off Groove. It models the frequency response of a 4×10 cabinet loaded with Jensen P10R speakers — the warm, slightly woolly cab that defines a Tweed Bassman. With a single DPDT toggle the response shifts toward a 4×12 Marshall G12-style cab: the upper-mid notch moves down, the highs roll off harder, and the overall character gets darker and tighter.

Inside is a JFET amplifier driving three filter stages: a bridged-T notch (the cabinet's characteristic mid-scoop), a gyrator-based high-pass with resonant peak (the cabinet's bass-end emphasis around 80–90 Hz), and a cascade of two Sallen-Key low-passes (the speaker's high-frequency roll-off with ~3 kHz cone-breakup peak). All credit for the circuit design goes to runoffgroove.com — this is a PCB layout and packaging effort, not a new circuit.

JFET preamp

2N5457 input stage with adjustable bias trim and dedicated GAIN pot — clean drive into the filter chain, with a touch of even-harmonic warmth.

Cabinet voicing toggle

External DPDT switch shifts the bridged-T notch from ~610 Hz (4×10 stock) to ~277 Hz (Marshall) — same PCB, two cabs.

4th-order LP cascade

Two Sallen-Key low-passes at 3.66 kHz combine for −80 dB/decade roll-off — a real speaker's HF behaviour, not a soft tilt EQ.

Direct or amp use

Plug in a fuzz, distortion, or amp simulator and feed the Condor's output to a DAW interface, mixer, headphones, or PA. No real cab needed.

Where this fits in your chain: The Condor expects a guitar-amp-like signal at its input — a distortion pedal, an amp simulator, or your guitar amp's emulated DI/line out. It does not "make a clean guitar sound like an amp" on its own; it shapes a pre-distorted signal so that it sounds through a cab rather than dry into a flat board.
02

Circuit Theory

Condor schematic

ROG Condor V1.1 schematic — JFET preamp upper-left, bridged-T notch and gyrator HP across the middle, cascaded Sallen-Key LP stages bottom-right.

JFET preamp (Q1)

Audio enters via R4 (18kΩ) and C16 (22µF AC-couple) to the gate of Q1, a 2N5457 N-channel JFET. R5 (1MΩ) ties the gate to ground for bias. The drain is fed from +9V through TRIM1 (25kΩ trim pot configured as a variable drain resistor), giving the builder direct control over the JFET's operating point. The source connects through the 1kΩ linear GAIN pot to ground; the wiper feeds C3 (22µF), which sets how much of the source resistance is bypassed for AC. Higher GAIN = more of the source bypassed = more voltage gain. Q1 drains into C4 (47nF, AC-couple) feeding the filter chain.

2N5457 substitution: J201 has the same DSG pinout (with the flat side facing you, leads down: D – S – G left-to-right, matching the PCB silkscreen) and is a popular substitution; it gives slightly higher transconductance and a hotter front end. MPF102 also DSG-pinout, leaner sound. Watch out: the docx text shows "2N547" — that is a typo. The actual transistor is the 2N5457 as marked on the schematic and confirmed by the Eagle library.

Bridged-T notch filter (R6/R7 + C5/C6, with mod caps C14/C15)

Q1 drain → C4 (47nF) → enters the bridged-T network. Two 100kΩ resistors (R6 and R7) form the "T" with a shunt capacitor (C6 = 6.8nF, plus C15 = 8.2nF when SW1B is closed) at their junction to ground. The "bridge" cap (C5 = 1nF, plus C14 = 1.2nF when SW1A is closed) couples the input directly across to the output node, bypassing the resistors. At one specific frequency the two paths cancel — that is the notch.

f_notch = 1 / (2π × √(R6 × R7 × C_bridge × C_shunt))

This network produces the cabinet's characteristic upper-mid scoop. SW1A and SW1B are both halves of one external DPDT toggle — they always switch together — and the two switch positions correspond to "stock" (4×10) and "Marshall" (4×12) voicings. R8 (100kΩ) ties the network's output node to virtual ground, fixing the DC bias for the IC1A buffer that follows.

IC1A — buffer after the notch

IC1A is wired as a unity-gain voltage follower (output tied directly to inverting input). Its job is to present a high-impedance load to the bridged-T network so the resistor and cap values define the notch shape, not the next stage's input impedance. No gain, no shaping — just isolation.

Gyrator high-pass with resonant peak (around IC1B)

Between IC1A's output and IC1B's input sits a clever passive network that synthesises a resonant LC high-pass: C7 (47nF) couples IC1A.OUT to a junction; from there R9 (18kΩ) shunts back to IC1B's output, while C8 (47nF) feeds forward to IC1B's non-inverting input. R10 (100kΩ) ties IC1B's +IN to virtual ground for DC bias. Since IC1B is itself a unity-gain follower, the R9 path effectively "mirrors" the output back to the input in a way that synthesises an inductor (a gyrator). The result is a second-order high-pass with a resonant peak around 80 Hz — the cabinet's bass-emphasis bump.

L_eq ≈ R9 × R10 × C8 = 18k × 100k × 47nF ≈ 84.6 mH (synthesised inductance)
f_peak ≈ 1 / (2π × √(L_eq × C7)) ≈ 80 Hz

Sallen-Key low-pass cascade (IC2A & IC2B)

Two identical 2nd-order Sallen-Key low-pass filters in series — IC2A then IC2B — each built from R = 22kΩ × 2, C9 = C11 = 3.9nF (in feedback) and C10 = C12 = 1nF (to ground). Each stage has cutoff f₀ ≈ 3.66 kHz and Q ≈ 0.99 (essentially Butterworth). Cascaded, the two stages give a 4th-order roll-off: −80 dB/decade above 3.66 kHz, with a gentle peak at the corner. This models the way a guitar speaker's upper-midrange bumps just before the cone breakup wall.

f₀ = 1 / (2π × √(R × R × Ca × Cb)) Q = √(R²·Ca·Cb) / (Cb · 2R)

Output and power

IC2B output is AC-coupled through C13 (22µF) to the 10kΩ logarithmic VOLUME pot, which sweeps signal-to-ground and feeds the OUT jack. D1 (1N4001) provides reverse-polarity protection on the +9V rail. R2 and R3 (22kΩ each) form the virtual-ground divider, generating VR = 4.50 V. C1 (47µF) decouples +9V; C2 (22µF) decouples VR.

VR = V_supply × R3 / (R2 + R3) = 9 V × 22k / (22k + 22k) = 4.50 V
03

Filter Analysis

Calculated centres for every filter stage, in both switch positions.

Bridged-T notch — the cabinet's mid-scoop

Stock — 4×10

SW1 open · Jensen P10R voicing
C5 (bridge)
1n
C6 (shunt)
6n8
notch f₀
610
Hz
R6 = R7
100k
—
type
T
bridged

Stock 4×10 voicing — a deeper, higher-frequency notch around 600 Hz that emulates the upper-mid honk-cancellation in a Jensen P10R-loaded open-back cab. Brighter and more "American" than the Marshall position.

Marshall — 4×12

SW1 closed · Greenback voicing
C5+C14 bridge
1n + 1n2
C6+C15 shunt
6n8 + 8n2
notch f₀
277
Hz
R6 = R7
100k
—
type
T
bridged

Marshall 4×12 voicing — the notch drops to ~280 Hz, scooping out the lower mids that make a closed-back Greenback cab sound thick and rounded rather than honky. Warmer, darker, and "British" — works best with high-gain or stack-style amp simulators in front.

Bass emphasis — gyrator HP peak

Gyrator HP — Cabinet bass bump

Around IC1B · synthesised LC, fixed in both positions
C7 / C8
47n / 47n
R9 / R10
18k / 100k
peak
80
Hz
L_eq
85
mH
below peak
−12
dB/oct

A passive network that emulates a series LC tank: the synthesised inductor (~85 mH) resonates with C7 (47nF) at about 80 Hz. This bump is what gives a real cab its low-end "punch" before the deep bass falls away. Not affected by the cabinet voicing toggle — present in both positions.

Treble roll-off — Sallen-Key LP cascade

IC2A — Sallen-Key LP1

2nd-order · unity gain
R11, R12
22k, 22k
C9, C10
3n9, 1n
cutoff
3.66k
Hz
Q
0.99
—
slope
−40
dB/dec

IC2B — Sallen-Key LP2

2nd-order · identical to IC2A
R13, R14
22k, 22k
C11, C12
3n9, 1n
cutoff
3.66k
Hz
Q
0.99
—
slope
−40
dB/dec
Cascaded total: Both Sallen-Key LPs share the same f₀ ≈ 3.66k Hz. In series they form a 4th-order low-pass with combined slope −80 dB/decade above the cutoff and a small resonant peak at the corner — exactly what a guitar speaker does at the cone-breakup frequency. For a tighter, more "modern" voicing some builders swap the four 22 kΩ resistors for 18 kΩ (raises the cutoff) or the 3n9 caps for 2n2 (also raises the cutoff). For a darker voicing, increase the resistors to 27 kΩ.
04

Bill of Materials

Recording use: If this pedal will live on a recording rig, swap the TL072s for TLC2272 for noticeably lower noise. The TLC2272 is a direct pin-compatible CMOS op-amp with input noise around half that of the TL072. JRC4580D and OPA2134 are also pin-compatible alternatives.
RefQtyValueColour codeNotes
Resistors — Metal film, ¼ W, 1%
R2, R3, R11, R12, R13, R14622k
RedRedBlackRedBrown
Red · Red · Black  |  Red · Brown
R2/R3 = virtual ground divider; R11–R14 = Sallen-Key LP series resistors
R4, R9218k
BrownGreyBlackRedBrown
Brown · Grey · Black  |  Red · Brown
R4 = input series resistor; R9 = gyrator feedback resistor
R511M
BrownBlackBlackYellowBrown
Brown · Black · Black  |  Yellow · Brown
JFET gate-to-ground bias resistor
R6, R7, R8, R104100k
BrownBlackBlackOrangeBrown
Brown · Black · Black  |  Orange · Brown
R6/R7 = bridged-T notch resistors; R8 = VR bias to notch network; R10 = VR bias for IC1B
Capacitors — Electrolytic (supply & coupling)
C1147µF+9V supply bulk decoupling — 16 V or 25 V rated, observe polarity
C2, C3, C13, C16422µFC2 = VR decouple; C3 = JFET source AC bypass; C13 = output AC-couple; C16 = input AC-couple. All 16 V or 25 V rated, observe polarity
Capacitors — Film (signal path)
C4, C7, C8347nC4 = AC-couple from JFET drain; C7/C8 = gyrator network around IC1B
C5, C10, C1231nC5 = bridged-T bridge cap (stock); C10/C12 = Sallen-Key LP shunt caps
C616n8Bridged-T shunt cap (stock voicing)
C9, C1123n9Sallen-Key LP feedback caps 2n7 + 1n2 in parallel
C1411n2Bridged-T bridge cap added in Marshall mode (parallels C5)
C1518n2Bridged-T shunt cap added in Marshall mode (parallels C6)
Semiconductors
D111N4001Reverse polarity protection — observe cathode band orientation
Q112N5457N-channel JFET in TO-92, DSG pinout J201 (DSG)MPF102 (DSG)
IC1, IC22TL072PDual JFET-input op-amp TLC2272 (recording)JRC4580DOPA2134
Pots and trimmer
TRIM1125k6 mm multi-turn or single-turn trimmer for JFET drain bias 50k OK
GAIN11k-B16 mm right-angle PCB-mount, B-taper (linear)
VOL110k-A16 mm right-angle PCB-mount, A-taper (logarithmic)
Switch and hardware (off-board)
SW11DPDTCabinet voicing toggle — wires to SW1A and SW1B pads on PCB
IC sockets2DIP-8Strongly recommended — lets you try TL072 vs TLC2272 quickly
JFET socket13-pin SIPOptional — useful for trying J201 or MPF102 substitutions
Jacks2¼″ monoIN and OUT — wire to PCB pads
DC jack12.1 mmCentre-negative standard, wires to BATTERY pads
05

Build Guide

Condor PCB silkscreen

PCB silkscreen — component placement reference

Populated Condor PCB

Populated PCB — note IC sockets, electrolytic polarity, and the 25k trim pot upper-right

Populate the board in order from lowest to highest profile. Pots and the JFET sit tallest; do them last. The pots mount on the back of the PCB so they fit the enclosure correctly — see the dedicated step below.

Diode and resistors

Mount D1 (1N4001) first — the black band marks the cathode and must match the silkscreen. Then all twelve resistors (R2–R14, no R1). Resistors have no polarity. Trim leads to ~1 mm from the back.

IC sockets

Insert the two DIP-8 sockets but do not insert the ICs yet. Notch on the socket should match the notch on the silkscreen. Solder one corner pin to fix the socket flat against the board, then the rest. If you bought a 3-pin SIP socket for Q1, fit that now too.

Film capacitors

C4–C12, C14, C15. No polarity. Take care not to swap C5/C14 or C6/C15 — these affect the cabinet voicing toggle behaviour. Re-check value-by-value against the BOM before soldering.

Electrolytic capacitors

C1 (47µF), C2 (22µF), C3 (22µF), C13 (22µF), C16 (22µF). Polarity matters — long lead is positive, body has a stripe marking the negative side. Silkscreen marks the positive pad with a +.

Trim pot (TRIM1)

Solder the 25kΩ trim pot in. Set it roughly to the middle position before continuing — you'll bias it properly in the next section once the build is powered up.

JFET (Q1)

If you fitted a SIP socket, push Q1 in with the flat side matching the silkscreen marker. Otherwise solder Q1 directly with the flat (D-S-G label side) toward the silkscreen flat. Pinout is D – S – G in the schematic; this matches the 2N5457, J201, and MPF102 (TO-92 with flat facing you, leads down: pin 1 = Drain, pin 2 = Source, pin 3 = Gate). If you use a different JFET, double-check its pinout — getting it wrong won't damage the part but the circuit won't work.

Pots — mount from the back of the PCB

The two 16 mm right-angle pots (GAIN and VOL) mount on the opposite side of the PCB from the rest of the components. Use a piece of double-sided tape or a thin insulator strip on the pot body so the metal case can't short any leads coming through the board. To get the pot perfectly aligned: solder the centre pin first, then re-flow it while gently pulling the pot back about 1 mm so it seats flat. Once that pin solidifies, solder the side pins. This avoids the pot leaning forward and shorting against the board.

Clip the bracket off each pot

The 16 mm Alpha right-angle pots have a small metal mounting bracket projecting forward from the body. Clip this bracket off with side cutters before mounting the PCB in the enclosure — it gets in the way and isn't needed for our enclosure mounting.

Pot bracket detail

The small bracket that needs clipping off — visible just below the pot body

External wiring & insert ICs

Wire the off-board components: 2 audio jacks (IN, OUT), the 2.1 mm DC jack, and the DPDT switch (SW1A and SW1B pads). Insert IC1 and IC2 into their sockets — notch matches silkscreen.

06

Switch & Biasing

DPDT switch wiring

The cabinet voicing toggle is one DPDT switch operating both halves SW1A and SW1B simultaneously. On the PCB, two pairs of pads are labelled SW1A (one pole) and SW1B (the other pole). Wire each pair to one pole of the DPDT switch:

PCB padsWired toFunction
SW1A (2 pins)Centre + one outside lug of pole 1Closed = adds C14 (1.2 nF) in parallel with C5 → bridged-T bridge cap = 2.2 nF
SW1B (2 pins)Centre + one outside lug of pole 2Closed = adds C15 (8.2 nF) in parallel with C6 → bridged-T shunt cap = 15 nF

Both halves switch together: the switch position labelled "open" is the stock 4×10 voicing; "closed" is the Marshall 4×12 voicing. Use a regular sub-mini DPDT toggle — not a 3PDT bypass switch (this isn't a true-bypass circuit, just a tone toggle).

Two cabs in one box: Engaging the switch shifts the cabinet's mid-scoop notch from ~610 Hz down to ~280 Hz and adds extra HF roll-off. The first sounds like a P10R 4×10 (American, open-back, jangly); the second sounds like a Greenback 4×12 (British, closed-back, dark and tight). Try both with whatever amp/dist sim you've got in front and pick the one that suits the part.

Biasing — by ear

The JFET drain bias is set by TRIM1, and we tune it by ear. With everything wired up:

  1. Set TRIM1 to its mid position (start)
  2. Plug in DC power and IN/OUT, set GAIN and VOL to 12 o'clock
  3. Play some notes through the pedal
  4. You may hear a distorted, high-pitched, thin sound — this means the JFET is biased too low (cold)
  5. Slowly turn TRIM1 clockwise until the distortion clears and bass starts coming through cleanly
  6. If you go too far the volume will drop noticeably — back off slightly until the signal is clean and full again
  7. Lock the trim pot in that position. Done.

You can also bias by measurement if you prefer: target ~4.5 V (half supply) at Q1's drain. But the by-ear method works perfectly well and is more forgiving of JFET-to-JFET variation.

If a J201 is fitted instead of 2N5457: The J201 is much higher transconductance and you'll likely need TRIM1 set further toward the +9V end (less drain resistance). Don't be surprised if the trimmer sweet-spot is far from the centre — that's normal for substituted JFETs.
07

Drilling — 1590B Enclosure

This pedal uses a 1590B enclosure. The drilling template below shows hole positions and dimensions in millimetres. Always print the template at 100% scale and check at least one measurement against a ruler before drilling — printer scaling varies.

1590B drilling template

1590B drilling template — measurements in mm. The centre 12 mm hole is for the bypass footswitch; the three top circles are pots (GAIN, VOL, and a third position for the cabinet voicing toggle if you mount the DPDT toggle here instead of on the side).

—

Disclaimer & Licence

Circuit credit: The Condor circuit was designed by runoffgroove.com. This document covers a PCB layout and packaging only — the underlying circuit is theirs.

PCBs based on Run Off Groove circuits purchased from TH Custom Effects are intended for DIY and non-commercial use only. Any commercial use is not permitted without consent of runoffgroove. Redistribution of PCBs and artwork from this document is not permitted.

© TH Custom Effects 2013–2026. Build documentation V1.1.